Closing Doors
Published:
The warning sound had already started when I reached the platform.
The doors were still open.
Not open in the generous sense. Open in the technical sense.
There was enough space for one bad decision.
I ran.
Once you start running toward a closing metro, the train becomes more important than it was five seconds earlier. Maybe the next one is only a few minutes away. That no longer matters. You have begun the run, and now missing the train would make the run look foolish.
So you run faster.
I reached the doors at the last moment and went through with more speed than dignity. Getting inside was only the first problem.
The second was stopping.
A few passengers stood near the door. None of them had agreed to participate in my arrival. I planted my feet, shifted my weight, and managed not to collide with anyone.
Victory.
Then I noticed the looks.
Public transport has a polite rule: strangers pretend not to watch one another. That rule becomes flexible when someone enters a train at full speed just before the doors close.
People looked, then looked away.
I tried to breathe normally.
The train moved.
I stood without holding the rail, which had once seemed like a useful metro skill. Compared with what had just happened, balancing on a moving train was easy.
The difficult part was acting as if nothing unusual had occurred.
I studied the route map with unnecessary seriousness. Across from me, someone briefly raised an eyebrow and returned to a phone.
A few stations later, I got off.
The train continued.
So did everyone else.
For several minutes, I had treated one particular metro as if the future depended on it.
The next train probably arrived soon after.
Through Closing Doors
I keep returning to the small practical detail, because that is where the feeling is stored. What hurts, or amuses, is not always the event; sometimes it is the interpretation that arrived too late.
Attachment rarely leaves through the main door. It stays in side details and waits there. That is why the memory keeps its weight without becoming dramatic.
